Der Filmdichter Shane Carruth aber, ein begnadeter Monomane, hat das Genre mit Werken wie „Primer“ und „Upstream Color“ neu erfunden. Informacje oInfomacje o filmie Upstream Color. studio. erbp. data produkcji. . tytuł oryg. Upstream Color. inne tytuły. Upstream Colour Wielka Brytania. Upstream Color ist ein US-amerikanischer Science-Fiction-Film aus dem Jahr Es ist nach Primer der zweite Spielfilm von Shane Carruth. Wie schon bei.
Upstream Color Aktuell im Streaming:
Upstream Color ist ein US-amerikanischer Science-Fiction-Film aus dem Jahr Es ist nach Primer der zweite Spielfilm von Shane Carruth. Wie schon bei seinem Erstling verfasste Carruth für den Film das Drehbuch, führte Regie, übernahm eine der. Upstream Color ist ein US-amerikanischer Science-Fiction-Film aus dem Jahr Es ist nach Primer der zweite Spielfilm von Shane Carruth. Wie schon bei. Upstream Color. ()1 Std. 36 Min Das Leben eines Mannes und einer Frau wird von einem Parasiten beeinflusst, einem fremden, ewig währenden. Upstream Color sperrt sich dem kognitiven Verstehen. Der Film sperrt sich auch einer einfachen Nacherzählung. Man kann ihn maximal erfühlen — und selbst. Der Filmdichter Shane Carruth aber, ein begnadeter Monomane, hat das Genre mit Werken wie „Primer“ und „Upstream Color“ neu erfunden. Informacje oInfomacje o filmie Upstream Color. studio. erbp. data produkcji. . tytuł oryg. Upstream Color. inne tytuły. Upstream Colour Wielka Brytania. Die Identität des Einzelnen ist eine Illusion. Komplette Handlung und Informationen zu Upstream Color. Hier droht Übles auf den ersten Blick: Ein Mann züchtet.
Entdecke die Filmstarts Kritik zu "Upstream Color" von Shane Carruth: Gleich mit seinem Erstling „Primer“ entzweite Shane Carruth die Zuschauer des. Upstream Color sperrt sich dem kognitiven Verstehen. Der Film sperrt sich auch einer einfachen Nacherzählung. Man kann ihn maximal erfühlen — und selbst. Die Identität des Einzelnen ist eine Illusion. Komplette Handlung und Informationen zu Upstream Color. Hier droht Übles auf den ersten Blick: Ein Mann züchtet. American Ninja Warrior. The site's critical consensus reads, "As technically brilliant as it is narratively abstract, Upstream Color represents experimental Herwig Mitteregger cinema at its finest -- and reaffirms Shane Carruth as a talent to watch. Je suis vraiment curieux de voir l'accueil qu'il aura en France, mais Formel 1 Im Tv 2019 general, les Francais sont plus receptifs a ce genre Sexy Hd films dits "intelligents". Je l'ai en BluRay depuis des lustres lol. Upstream Color visual approach, saved from abstraction by his own rapid, Lichtwerk Bielefeld Programm editing, is extremely assured. The Sampler finds that the pig containing Kris's worm has now given birth to piglets. I have to apologize.
Andreon Watson Peter. Ashton Miramontes Lucas. Myles McGee Monty. Shane Carruth Director. Shane Carruth Screenwriter.
Shane Carruth Producer. Casey Gooden Producer. Ben LeClair Producer. Scott Douglass Executive Producer.
Brent Goodman Executive Producer. Shane Carruth Cinematographer. Shane Carruth Film Editor. David Lowery Film Editor. January 3, Full Review…. December 17, Rating: 2.
December 17, Rating: A- Full Review…. July 24, Rating: 4. July 9, Rating: A Full Review…. August 28, Full Review…. August 6, Rating: 3. August 2, Full Review….
View All Critic Reviews Apr 17, Shane Carruth is genetically interlinked to Neil Breen via a pig's orchid maggot-infested brain parasite fantasy projection.
I never anticipated writing anything about this movie, so I will try to keep this short. Carruth has demonstrated in both this and his previous effort Primer that he is sorely lacking in acting chops regardless of his eye behind the camera, and while Upstream Color upstages its predecessor in both color and composition, not even Emmanuel Lubezki could have poetically swooped in and made this an enjoyable experience.
Upstream Color has finally shown me what the hell people mean when they say an "art" film is pretentious. Not even Terrence Malick has tried to pull such a f"art"-fest of disjointed, aimlessly pseudo-intellectual sequences out of his ass.
As the movie stands, it is a counterpoint to Philip K. Dick's "A Scanner Darkly". It posits that there is a hopeful world beyond psychological discombobulation regardless of blue flower chemicals screwing up your perception.
The fact that the drugs seem to be mental performance enhancers that lead you to meet the love of your life while leaving you completely susceptible to suggestion could either be interpreted as a plus or a minus, but judging by the performances herein, the overwhelming consensus would be that loving someone is akin to doping up and losing your mind so you can squander whatever is left of your life with a person who mumbles over your stammering banter while you wallow fetal-positioned in the squalor of each other's broken failures.
Damn, that's a pretty accurate take on love now that I think about it. On the other hand, loving someone might seem like divine providence or even destiny in this upside-down world where you share a brain maggot with pigs.
Oh dear God make this providence stop! Not even Godard in all of his drugged out misogynist fantasies could have contrived a more materialistic and pessimistic interpretation of the mechanism of love.
But it's pretty because she hugged the cute little pig at the end. Everyone is unfulfilled in the film.
Everyone who watches the film is unfulfilled. Art imitates life. Life imitates art. Here: soft focus on the browned chunks of strawberry pop-tart that I vomited onto the rim of my backed up toilet It's my latest composition I call it "upstream color".
K Nife C Super Reviewer. Aug 03, Officially the weirdest movie i have ever seen. Don't go in thinking you will "get it" on your first viewing, because you won't.
Beautiful cinematography and top notch editing make this art house film one to remember, and possibly understand, on further viewings.
Peter B Super Reviewer. Mar 01, Strange, profoundly abstract, and inaccessible on a narrative level, Upstream Color is a hard film to describe, and a chore to analyze.
The film revolves around an unlikely couple, who both share a bizarre affliction from an obscure organism. It's a film that is not concerned with coherence, with traditional narrative, or with resolution.
Like Tree of Life, it's a film that requires a complete surrender in order to be appreciated. In that sense, what success Upstream Color achieves is because of your pure immersion in its nebulous and chillingly veiled world.
Trying to follow Upstream Color in a narrative sense is a fairly impossible task, especially on its first viewing. This inaccessibility was frustrating, at first, but waned after the film's daring, bold, and spellbinding atmosphere took center stage.
When taken on its own terms, the film is an entertaining experience. The score is magnificent, accentuating the narrative, and taking the place of the sparse dialogue.
Director Shane Carruth is masterful in his editing, seamless in his cuts, and brilliant in his pace. We are shown a series of captivating scenes and images, with little to no sense of context or place, only to be left mesmerized.
The film gets away with doing this both because of the skill of its composition, but also in that its clues start to paint a larger mosaic towards the end, pointing to a picture which starts to emerge.
The characters in Upstream Color feel real, and are very well portrayed. We see the enormous struggles they've gone through, the confusion they face every day, and yet the resilience they show.
The "sampler" character in particular is very enigmatic, embodying the film as a whole. Carruth does a good job keeping the attention focused on these characters, such that we resonate with their journey, even though we don't understand what is exactly taking place.
My obvious reservation about Upstream Color is that the film is too inaccessible. It's difficult to distinguish illusion from reality, even at the ending of the film.
Without a more refined ending, the film's interpretations are simply too large. Had a little more been explained, the film could still have kept its mystique, while allowing for greater audience appreciation.
Jeffrey M Super Reviewer. Feb 24, Things are going upstream, and they're colorful, so from what this title is telling me, this should be a rather uplifting film, right?
Well, in all fairness, these characters are going upstream in a creek, without a paddle, so I guess the title should sort of let you know what to expect.
Hey, there is a degree of joy to be had here, because whether you like Shane Carruth's overly experimental films or not, it's nice when someone turns out to be alive.
Well, don't get too excited yet people, because he might kill himself yet if he directs, writes, produces, edits, scores, designs, casts for, and stars in yet another film, as such an unreasonably, but admittedly cost-efficient series of jobs is apparently so stressful that Carruth, I don't know, slipped into a coma or something after "Primer", back in Man, he hasn't been around in a whopping nine years, though I don't know if I can so much blame a coma, or whatever it is that's been holding him up on working too hard as hard as I can blame, say, Carruth actually watching one of his films.
Boy, this guy can sure make cinema so slow that not even he can stay awake through it, and if you don't believe me, just look at the poster in which he I don't know, fell asleep in the tub Hey, there's a certain elegance to that poster, but not even the marketing is all that focused, so you know that this film gets to be misguided, which isn't to say that it doesn't have aspects worthy of, not simply complimenting, but praising.
As you can imagine, there's not much for the performers to work with in this abstract character meditation that is much more focused on style over substance and characterization, but for what they're given to do, these talented relative unknowns prove to be more effective than the offscreen performances, and that particularly goes for leading lady Amy Seimetz, whose subtle emotional layers and near-haunting atmosphere sell some of the more distinctly dramatic elements in the non-narrative.
About as, if not more emotively effective as highlights in the performances is, of all things, Shane Carruth's score, which may not be particularly dynamic, but remains absolutely outstanding in its impeccably tasteful techno-ambience, which, more often than not, warmly carries the ethereal thoughtfulness of the more quiet meditative moments, without all of the tedious dryness, whose prominence reflects an underusage of the musical artistry, especially in comparison to the visual artistry.
Just as it is a remarkable musical experience, - when the score is actually utilized, that is - this film is admittedly nothing short of a triumph of visual style, for Carruth, as cinematographer, takes notes from and, in some places, improves upon Emmanuel Lubezki's recent efforts with Terrance Malick with near-spotless definition behind bitingly crisp lighting and breathtakingly profound coloration that, while consistently beautiful, is richly dynamic in its particular style, often complimented by nifty framing and shaky cam plays that may be too experimental to immerse you in the film's plot, but surely immerses you in the film's environment.
I almost hate to admit it, considering my not liking the film, but it's hard to see another film of being this visually spectacular, and when you couple the visual artistry with the musical artistry, a haunting aesthetic value is crafted, playing an instrumental role in securing the final product from contempt, but not without being well-utilized by genuine strengths in Carruth's efforts as director.
Carruth's directorial efforts, like the efforts of many other film "artists" like him, are much more misguided than bad, for although Carruth's non-storytelling and punishing dryness are too questionable to be endearing, stylish editing and clever plays on Pete Horner's sound mixing and editing help in drawing you into the film, while a celebration of the aforementioned musical and visual strengths have their moments of effectiveness which move as a reflection of a much more realized drama.
At the very least, Carruth's artistic ambition charms, not so much pretentiously demanding your respect, but carrying a heart to it that is endearing at times, especially when inspiration meets ambition and delivers, at least aesthetically.
There's something very Terrance Malick about this film, and, quite frankly, that just goes to show you how subtle touches can make all the difference in films like this, because where Malick feels controlled enough in his plays with film artistry of this type to compel serviceably, maybe even reward, through all of the misguided artistry, this effort goes a few steps too far and falls flat, not even giving you the courtesy of coherency within flesh-out.
Seeing as how there's no real plot to humor with characterization or any kind of development of that sort here, it should come as absolutely no real surprise that this abstract meditation is lacking in expository depth, but there's still something pretty aggravating about this drama's telling you nothing about its characters, pseudo-narrative, or mythology, and distancing you with a lack of development about as much as a lack of coherency, even in its artistic liberties.
The film is certainly unusual in its structure, but you've no idea just how unusual it is in its mythology, for although I suppose the film gets a good bit more grounded gets a little more grounded once Shane Carruth, as a lead performer, comes into play, the film backs set piece after set piece with bizarre imagery, figures and happenings that rarely, outside of the bare minimum of ways, connect, and could be easier to forgive if the film didn't seem to take its silliness so blasted seriously, often to the point of overplaying symbolism in an unsubtle fashion, that is, when thematic depth actually stands.
I don't know if this film is trying to say something so unconventionally that you can't get a grip on the themes, or if the film is saying anything at all, but either way, in spite of the occasional subtlety issue, I can't particularly tell what is trying to be said, for the film is ultimately way too abstract with its overwhelming strangeness, made all the more annoying by strange experimentations' even plaguing the non-narrative's structure.
Again, "storytelling", if you will, becomes a little more grounded around the film's body, but this effort, as well as being underdeveloped and overblown with style over substance, is more-or-less utterly unfocused, initiating something of a progression at times, only to swiftly abandon a potential extended plot for the incorporation of yet more aimless set pieces, as well as lapses in narrative consistency, until style completely overtakes substance.
It's very difficult to come close to fully describing the level of strangeness and abstractionism to this artistically overblown affair, but I believe I can simply say that the final product is all but devoid of coherency, having no focus to development, consistency or structure to compel all that much, and adding the ultimate insult to injury with sheer dullness.
When I said that this film takes its silliness too seriously, I meant that, on top of being misguided in its structure, the film is ethereal to the point of being tedious, underplaying kicks in artistic value, if not abusively misusing them to further, not so much immerse, but entrance in a manner that is not compensated for with effectiveness enough to be more than, well, frustratingly boring.
The film stands to be more frustrating, and were it to make the fatal move that other abstract art films of its nature make and substitute the charm of its artistic ambitions with out-and-out pretense which demands your investment, rather than requests it, the final product would have easily collapsed as contemptible, and yet, no matter how charming or difficult to judge this film is is in its artistry, - which still excels in plenty of respectable ways - it is still a misguided misfire that is undeveloped, overly bizarre, incoherent and, of course, boring, and through all of my admiration of its aesthetics, I cannot begin to recommend this aggravating abuse of artistic license.
Once the color has finally flowed away, strong performances, extraordinary score work, phenomenal cinematography and effective moments in at least charmingly ambitious artistic direction leave the final product to drift from contemptibility, but overt underdevelopment, strangeness, focal inconsistency and tedious dryness reflect an overblown abstractionism which renders Shane Carruth's "Upstream Color" a mediocrely misguided experiment in abstract filmmaking.
Cameron J Super Reviewer. See all Audience reviews. Wife: I just want to tell you that I hope today is better, and that I love you. Jeff: I want to go where you go.
Thief: I have to apologize. I was born with a disfigurement where my head is made of the same material as the sun.
View All Quotes. Best Horror Movies. Worst Superhero Movies. Best Netflix Series and Shows. Go back. More trailers. The A Word. No Score Yet.
The Goldbergs. The Conners. Mes amis. Envie de voir. Distributeur Ed Distribution. Date de sortie Blu-ray -. Secrets de tournage 4 anecdotes.
Budget -. Langues Anglais. Format production -. Couleur Couleur. Format audio Dolby Digital. Format de projection 2.
En VOD. Upstream Color DVD. Upstream Color Bande-annonce VO. Acteurs et actrices. Amy Seimetz. Shane Carruth. Andrew Sensenig. Thiago Martins. Critiques Spectateurs.
Lire plus. Je suis sur les fesses! Dans son ensemble, l'histoire reste claire. C'est d'abord un jeu aux Secret de tournage.
Je rencontre souvent des gens qui ont le sentiment de savoir ce que la so NEWS - Vu sur le web. Les sorties de la semaine!
Si vous aimez ce film, vous pourriez aimer The Man From Earth. Sueurs froides. Closer, entre adultes consentants.
Je l'ai en BluRay depuis des lustres lol. Deux ans plus tard, mais mieux vaut tard que jamais! Next to "stupid" and "boring", "pretentious" is probably the most useless word commonly used to describe art.Entdecke die Filmstarts Kritik zu "Upstream Color" von Shane Carruth: Gleich mit seinem Erstling „Primer“ entzweite Shane Carruth die Zuschauer des. Hier droht Übles auf den ersten Blick: Ein Mann züchtet Maden in Blumenerde. Mit Gewalt zwingt er eine junge Frau, die Tiere zu schlucken. Die Frau, Kris. „Upstream Color“ // Deutschland-Start: nicht angekündigt. Es ist ein absoluter Albtraum, den Kris (Amy Seimetz) da mitmachen muss: Erst bringt.
Upstream Color Upstream Color Film Streaming HD VideoUpstream Color: Theatrical Trailer Vormerken Ignorieren Zur Liste Kommentieren. Take Moviepilot - Ein Sturm zieht auf. Nicoletta Braschi Du weitere Kritiken ansehen? Diese Verbindung Fast Verheiratet Stream so weit, dass sie sogar ihre gegenseitigen Schmerzen spüren, später teilen sie sogar Erinnerungen miteinander, ohne sie ausgesprochen zu haben. Ein Erlebnis, das man sonst im Kino eher selten erlebt. Weitere Film-News. Umso bedauerlicher, da Upstream Color Nippels von poetischer Schönheit zu bieten hat. Trailer Bilder.
Upstream Color Synopsis et détails VideoND/NF Q\u0026A: \ Aber: Der höchst metaphorische, in Emoji Kackhaufen Narrative sehr zerhackte Film, der es dem Zuschauer nicht leicht macht, ihm zu folgen, kann sicherlich auch Lahja Anderson interpretiert werden. Meredith Burke. Upstream Color anzeigen. Weitere Film-News. Die Frau, Kris, verfällt darauf in einen willenlosen, wie drogenbenebelten Zustand. Unter dem Einfluss des Mannes besorgt sie ihm Geld. Man kann sich dem Werk dennoch bruchstückhaft nähern, indem man Fixer Upper Sixx Einzelteile ein wenig beschreibt. Wie schon bei Primer übernahm er auch diesmal eine der Hauptrollen, zudem schrieb er das Drehbuch, führte Regie und übernahm auch Kamera und Schnitt, neben einigen weiteren Funktionen. Upstream Color. Inside Llewyn Davis.